Thanks to Disney's monopolistic buying spree of companies like Lucas and Fox, they now owned the movies and Foster's contract.
Here's where things get criminally weird. Disney argued that when they bought out Lucas, Fox, etc, they acquired their assets, but not their liabilities. In other words, they'd acquired the right to sell Foster's work, but not the obligation to pay him when they did.
This is not how copyright contracts work, period.
If it were, then any publisher with a runaway bestseller novel could incorporate a new company, sell its assets - but not its liabilities - to that company, and stiff the writer.
Both Foster's agent and the Science Fiction Writers of America tried to negotiate with Disney quietly on this, but they were stonewalled and insulted (Disney insisted that they wouldn't even *discuss* a deal without first getting nondisclosure agreements from Foster, another unheard-of tactic).
After failing to make progress with private negotiations, they went loudly public, launching the #DisneyMustPay campaign. The good news is, the campaign was successful, and Foster has been paid.
The bad news is that the campaign flushed out *many* writers who are also having their wages stolen by Disney. The company is stalling them, too - refusing to search its records or volunteer info unless the authors can name the specific instances in which they've been robbed.
In response, SFWA has joined forces with the Romance Writers of America, the Horror Writers of America, the National Writers Union, Sisters in Crime and the Authors Guild to form a coalition called Writers Must Be Paid.
They have a form where writers who suspect that Disney has stolen their wages can report it, anonymously:
The coalition has five modest demands for Disney:
I. Honor contracts now held by Disney and its subsidiaries
II. Provide royalty payments and statements to all affected authors
III. Update their licensing page with an FAQ for writers about how to handle missing royalties
IV. Create a clear, easy-to-find contact person or point for affected authors.
V. Cooperate with author organizations who are providing support to authors and agents.
@pluralistic I guess if Disney had wanted to do it that way, they'd have had to do a full "buy out" where rights were transferred to them in exchange for a lump sum given to the author
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