I can't bring myself to believe that artificial intelligence will bring an end to creative labor. you can't reduce creative labor to the artifacts it produces, and that the value of those artifacts doesn't inhere purely in their form. sure, I think a lot of the value in art comes from, like, visceral spectacle, but some amount also comes from being able to identify and appreciate the choices made in their production—and people are really good at identifying and distinguishing these choices

which isn't to say that new technology doesn't alter displace creative labor, because it obviously does that (and has for thousands of years). but there's a reason that it takes twenty minutes for the credits of a pixar movie to scroll past, and I think it's at least partially because the availability of automated tools opens up larger possibility spaces for sophisticated and interesting creative choices

i keep thinking of the popularity of speed running (and maybe just video game streaming in general?) as a touchpoint in this conversation. people like to watch other people accomplish virtuosic feats with their tools, even when "perfection" is possible through automation. in speed running, the tool-assisted work actually *feeds back into* the purely non-automated performances. the presence of automation opens up new interesting expressive possibilities, it doesn't close them off.

(the metaphor here being that, say, a movie can partially be understood as the result of a "speed run" of [e.g.] Final Cut Pro, or an illustration as a "speed run" of Illustrator/Photoshop, etc, where "speed run" here is defined as an artifact created from a constrained performance with a certain tool or set of tools. the question of "wow how did they DO that?" is, i'm proposing here, an inseparable part of the value of media)

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@aparrish in speedrun you know the path, while in creative process you know the tools but not the path ...
I would compare speedrun to accoustic analog instruments performances f.ex. where you interpret a given track adding some bias
in that sense, "Beat Saber" is not far from a "Coucours Reine Elisabeth"

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